NEWSLETTER
Felix the Quartet
Antony Peebles' concert was very well attended and, as it transpired, gave us more
than just musical pleasure. Thanks must go to our very patient audience who waited
good-naturedly during an extended interval while our pianist, along with Arnold Solomons,
Wendy van Delden and several members from the audience did a bit of "sleight of hand"
to fix a wee problem with one of the keys.
We are very pleased with the screens that now adorn the back of the stage.
The Committee has not only noticed that the sound seems to be much improved
(especially for stringed instruments), but has also had favourable comments
from the musicians who have noticed the difference.
Our concert on 1 May is Felix the Quartet. Called 'Felix the Quartet' to
distinguish it from that famous cartoon feline, Felix, and also in honour of one
of the musicians' favourite coffee shops, this lively quartet was founded in 2000
by four prominent members of the New Zealand Symphony Orchestra. Their vibrant
performances have been well received throughout the country, reflecting their assertion
that they have 'unseemly amounts of fun' when rehearsing! We last saw this string
quartet in 2001, but with a slightly different line-up. At the end of 2002 Wilma Smith
left New Zealand to become Concertmaster of the Melbourne Symphony Orchestra.
Since then they have now been joined by Rebecca Struthers, another of their NZSO colleagues.
SUNDAY 1 May AT 2.30PM WAIKANAE MEMORIAL HALL
Felix the Quartet
HAYDN |
Quartet in G |
SCHNITTKE |
Quartet No 3 (1983) |
MENDELSSOHN |
String Quartet in E minor, Opus 44, No 2 |
Per concert price:
Members $15, Public $21, "Under 20s" no charge
Some information about the Schnittke I copied this from a review I found on the
Internet - "The first thing we hear is a cadence from the Renaissance, a Stabat
Mater of Orlando di Lasso, which Schnittke develops more extensively later in the piece.
Then an undisguised quotation of the [Beethoven] Grosse Fuge enters, and later the
D-S-C-H motif of Shostakovich. Schnittke's employment of these references never approaches
cheap pastiche or montage. The entire piece grows organically from the three borrowed
motifs, plus one of Schnittke's own (with passing references to Das Rheingold and other works).
The piece ends with the Shostakovich tetrachord in quiet pizzicato."
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Vesa-Matti Lepp�nen was appointed the Concertmaster of the NZSO in 2003. Prior to that
he had been Assistant Concertmaster with the NZSO since 2000, when he left his native
Finland to take up the position. He began to play the violin at the age of five and
studied at the Turku Conservatory and the Sibelius Academy. In 1987 he won a national
competition for young violinists and in 1989 his Concordo String Quartet won a special
prize in the Tulindberg International String Quartet Competition. Since then he has
performed with various chamber groups and as soloist with many orchestras. He also
performs with the New Zealand contemporary music group "Stroma". |
After studying at the Royal Academy of Music, Rebecca Struthers spent several
years based in London freelancing with orchestras and chamber music groups throughout Europe
and the UK. She returned home to play in the New Zealand Symphony Orchestra in 1991.
Rebecca is a member of the NZSO Chamber Orchestra, leads the Chiesa Ensemble and plays
regularly with the Amici Ensemble, and with Stroma. Rebecca is a familiar face to our
audiences, having performed here a number of times with the Amici Ensemble. |
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While Andrew Thomson plays viola in this quartet, his main instrument is
violin. Born in 1974, he has lived almost all his life in Wellington. He graduated
from Victoria University with a BMus Hons and from the San Francisco Conservatory of
Music with a MMus. In 2000, he became the NZSO's Principal Second Violin and its
youngest section principal. He performs regularly with the New Zealand Chamber
Orchestra and Stroma. |
Rowan Prior began learning cello in England when she was eight.
After moving to New Zealand, she studied with Ellen Doyle in Christchurch until she
was eighteen. She was awarded a scholarship to study at the Royal Academy of Music
in London where she won prizes for solo and chamber music performances. She has been
a member of the NZSO and New Zealand Chamber Orchestra since 1996, and also performs
with Stroma. She has also performed solos with the Christchurch Symphony Orchestra
and Wellington Sinfonia. |
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